Ten minutes is a paradox of time where in one moment it can feel like an infinity, and in another it flickers by in an instant. For the purposes of narrative, particularly when it is performed by a single performer, ten minutes is a challenge in succinct story telling balancing with emotional weight. For the online short film, The Space Between Us, written by Rick Allden, performed by Jordan Bernarde and directed by Alun D Pughe, this balancing act is achieved with focused attention and careful skill.
Lockdown has been lauded as something of a golden opportunity for creatives to challenge themselves and flex their artistic muscles across mediums they may have never previously ventured into before. There has been a boom in online, often free artistic content over the course of 2020, and while it has shown the powerful talents that exist within our industry and brought them to audiences who may have not engaged with them before, it is a sad fact that many in the industry are struggling to maintain our careers in this pandemic. Indeed, this pain and fearful uncertainty extends to many of us both in and outside of the creative industries, and while The Space Between Us taps into a specific blend of grief, these feelings hit home all the more effectively in these troubled times.
Jordan Bernarde brings Allden’s script to life with nuanced care as a young father having the difficult conversation with his young son as he departs with his mother following a painful break up. Allden’s writing flows with light humour that highlights the aching agony that simmers under the surface of this paternal interaction. It is a tough feat for any actor to perform something so intimate and vulnerable within the unforgiving exposure of film, but Bernarde does so without ever straying into melodrama or demonstrative performance. This is a piece as much about subtext as it is about the text, and the moments of silence slice through the dialogue like a scalpel, revealing the depths of the father’s sense of loss beneath his fantastical stories of aliens and Millennium Falcons. As much as his words try to deflect away from the pain of the moment, the tension of their shared grief is always there.
While parts of the script could bring out more of the natural comedy that comes from the earnestness of young children, this is a powerful piece of drama worthy of viewing and deserving of praise for its powerful performance and precise execution.